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Posts tagged "Mockingbird At The Movies"

Once Upon A Time … In Heaven

Let’s get the shameless plug out of the way: one of my favorite essays I’ve had the privilege to write for Mockingbird was a contribution to our 2015 book Mockingbird at the Movies. The essay was an introduction to Quentin Tarantino, a review of the auteur and the cinematic world he’s built. In hindsight, it […]

Apparently I Am Not James Bond

When I was young I loved action movies. Pierce Brosnan’s James Bond was a focal point of my pre-adolescent years. I owned action movies on VHS, played their corresponding video games, and collected any paraphernalia that I could get my hands on. On leaving the theater, after seeing the newest action thriller, the world seemed […]

The Seven Sacraments of Harry Potter

In honor of the release of Harry Potter and the Cursed Child, here is another essay from our new anthology of movie essays, Mockingbird at the Movies, available in print here and on Kindle here.  Before anyone calls bluff on a Harry Potter essay found in a book about movies, let us first consider a […]

Red Beard: Love Is Medicine

Mockingbird at the Movies, is now available on Kindle! To celebrate, we thought we’d post the first half of John Zahl’s closing essay on Red Beard, which many readers (ourselves included) have mentioned as a highlight.   Discussing Akira Kurosawa’s Red Beard (1965) in any detail is a daunting task. After all, it’s a Japanese […]

Come See The Pawnbroker in Stamford with PZ (Weds 7/27)

mBdFO2DLxyDyz14zjeiZOu6NG7RThe Pawnbroker came out in 1965 and stars Rod Steiger as a Jewish survivor of Auschwitz who is suffering from acute P.T.S.D. The Pawnbroker was notorious at the time for a scene of nudity that was a “first” for Hollywood. It also contained a way of editing flashbacks that was exciting and fresh. Moreover, The Pawnbroker was the first mainstream movie to deal directly with the Holocaust.

But seeing it now — and all the above are true — it is even better. The film observes a man under overwhelming stress from suppressed memories. They simply will break through. The Pawnbroker also makes some powerful observations about men and women. A scene towards the end between Rod Steiger and Geraldine Fitzgerald is almost worth the entire movie.

For religious people, and specifically for Christians, there are images in The Pawnbroker from the Passion that are both moving and somewhat controversial, especially if you believe, as many do, that the Holocaust is the possession solely of its actual victims. I myself think the iconography of The Pawnbroker works. When I saw it 51 years ago, I was affected to my teenaged core and didn’t know why.

Join me, Paul Zahl, this Wednesday in Stamford, CT at The Avon (right off I-95 and parking is easy); the theater is also short walking distance from the Stamford RR station — for the second in our Mockingbird-sponsored series entitled “Religious Hope from the Movies”. That’s Wednesday, July 27 at 7:30 pm. I shall introduce the movie briefly, and moderate a short discussion afterwards.

Mockingbird at the Movies: Intro (and Final Edition)

As this year’s Oscar buzz revs up, be sure to take a look at our latest publication, Mockingbird at the Movies, an anthology of film essays collected from many of Mockingbird’s contributing writers. Last week, we quietly released the fully-polished final edition, which consists of a few less typos but all of the same thought-provoking, Gospel-centered content. See the full […]

The Top Ten Films of 2015

2015 has produced the most balanced mixture of high quality blockbusters and enraptured indie films that I can remember in recent years. In forfeiting control of some of its biggest franchises to more capable auteurs, Hollywood saw the successful resurgence of some of its most popular franchises with Creed, Jurassic World, and Star Wars: The […]

Now Available! Mockingbird at the Movies

Thrilled to announce our latest publication, Mockingbird at the Movies, just in time for a certain holiday. It’s a collection of over 40 essays about some of our favorite films, from all over the cinematic map. Edited by CJ Green with David Peterson, half the entries are brand-new, half appeared in some form on this site–and have […]

Mining Netflix: Vulnerability on Notting Hill

There’s this girl. She’s someone who can’t be mine, and uh… it’s as if I’ve taken love heroin and I can’t ever have it again. I’ve opened Pandora’s Box and there’s trouble inside. If Hugh Grant vowed to collaborate exclusively with writer Richard Curtis (Four Weddings and a Funeral, Love Actually) for the rest of […]

Ethan Hawke on Acting Out the Death of Self

The tenable success of independent films in an industry dominated by major Hollywood productions has become a hot topic as the 87th Academy Awards make their approach. The pulse of this conversation exists entirely because of two names: Wes Anderson and Richard Linklater. With six Oscar nominations between the two of them just this year, and […]

An Exhausted Prayer: Get Me Out of {Into} the Woods

One less-than-magical night, not so long ago, while afflicted by a monstrous spell of boredom cast upon me by the solitary confinement of the common cold, I ventured, alone, Into the Woods. Why not? I had a gift card… Honestly, as much as I jest, I wanted to see the cluster-cuss of historic fairy tales on […]

Damien Chazelle’s Whiplash: A Parable of Stifling Perfection

[Mild spoilers follow.] As a writer, I’ve found, you’re always searching for material. A friend’s talking to you about a bad breakup, years of religious doubt and self-recrimination for doubting, a car wreck, DUI, or lost job. Suddenly, once an insight seems to hit you – or even a situation with a certain intellectual appeal – […]