A Few More Marginalia from W.H. Auden

Who can picture Calvin, Pascal or Nietzsche as a pink chubby boy? ————— Knowing that […]

David Zahl / 3.17.09

Who can picture
Calvin, Pascal or Nietzsche
as a pink chubby boy?
—————
Knowing that God knew
that what she really liked best
was not the stable
but the crowded inn, she built
a fine hospice for pilgrims.
—————
Lonely he may be
but, each time he bolts his door
the last thing at night,
his heart rejoices: “No one
can interfere with me now.”
—————
How could he help him?
Miserable youth! in flight
from a non-father,
an incoherent mother,
in pursuit of — what?
—————
Few can remember
clearly when innocence came
to a sudden end,
the moment at which we ask
for the first time: Am I loved?

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COMMENTS


3 responses to “A Few More Marginalia from W.H. Auden”

  1. John Stamper says:

    Richard Adams opens each chapter of his novel “Watership Down” with a quote of some sort. Auden heads at least two or three different chapters.

    Here’s a frightening passage that heads a dark chapter of WD. It’s from Auden’s “The Witnesses”:

    ===============

    When the green field comes off like a lid
    Revealing what was much better hid:
    Unpleasant.
    And look, behind you without a sound
    The woods have come up and are standing round
    In deadly crescent.

    The bolt is sliding in its groove,
    Outside the window is the black remov-
    ers’ van.
    And now with sudden swift emergence
    Come the woman in dark glasses and humpbacked surgeons
    And the scissors man.

  2. Jacob says:

    I love the pink chubby boy!

  3. Michael Cooper says:

    Answer to “pink chubby boy” question: Only their mothers.

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