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Posts tagged "Robert Farrar Capon"

To Die or Not to Die? by Robert Farrar Capon

To Die or Not to Die? by Robert Farrar Capon

This is an excerpt from from the recently released collection of shorts, More Theology and Less Heavy Cream: The Domestic Life of Pietro & Madeleine, by the inimitable Robert Farrar Capon. Below, the protagonists (Robert and his wife’s alter-egos) discuss church gossip and infidelity.

Madeleine hung up the phone and put her head on the kitchen counter. “People!” she groaned as she pounded the surface with her fists.

Pietro was dicing celery with a Chinese cleaver. “I have a trusty blade here in my hand,” he said. “Perhaps I could sally forth and avenge these wrongs you feel compelled to communicate to the Formica.”

“Thanks a…

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The Top Theology Books of 2017

The Top Theology Books of 2017

Were you given an Amazon or Barnes and Noble gift card, but don’t know what to spend it on? Or perhaps you’re a bibliophile like me and have an insatiable appetite for the latest and greatest theology books. In either case, I’ve got just the list for you: the top Mockingbird theology books from 2017. Click here to read last year’s list.

Books on St. Paul

Paul and the Person: Reframing Paul’s Anthropology by Susan Grove Eastman

This is a fantastic book. According to Eastman, Paul believed that one’s identity is irreducibly social, determined by the influence of external powers—whether it be…

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Do You Need a Receipt to Return a Christmas Miracle?

Do You Need a Receipt to Return a Christmas Miracle?

I’m quickly coming up to the two year anniversary of when I nearly, nearly, shouted a four letter word in a crowded auditorium. And it wasn’t fire. I was at a Christmas concert, and the organizers had thoughtfully placed magnets with handwritten Bible verses underneath all of our seats. At a certain point in the evening, they asked us to reach under and collect them. I did. That’s the moment I wanted to shout…um…not-fire.

The verse was for me, for that very moment. The Lord answers prayers. This particular evening, I really didn’t want him to. Like, at all. It meant…

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Jennifer Lawrence, the Irony of Normalcy, and the Righteousness of Faith

Jennifer Lawrence, the Irony of Normalcy, and the Righteousness of Faith

This piece was written by our friend Brad J. Gray.

She caught our eye in 2007 on a short-lived network comedy. Then, she broke through with an independent drama in 2010 that earned her national acclaim and attention. She flew into the stratosphere and became the mega-star we know and love with a summer blockbuster in 2012, the success of which she’s likely still riding the coattails. If you didn’t already catch it, I’m referring to Jennifer Lawrence. “J-Law,” as she’s lovingly known on the “Interwebz,” made a name for herself on The Bill Engvall Show during its brief run on…

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I Still Believe: The Lost Boys’ 30th Anniversary Spectacular

I Still Believe: The Lost Boys’ 30th Anniversary Spectacular

If Georges de La Tour was a movie director, his films would probably look a lot like Joel Schumacher’s. Well, maybe…minus the nipples on the suits in Batman and Robin. I think my assertion, knowing Matt Milliner is lurking around here somewhere, holds up particularly well with Schumacher’s 1987 film, The Lost Boys, or as I like to put it, The Two Coreys’ (Haim and Feldman) Showcase.

My slightly sketchy comparison to a famous French Baroque painter aside, I’ve been reflecting on what I think about the movie, now, 30 years on. The surprising thing is that a couple of scenes…

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Faith of Thrones

Faith of Thrones

There are already scores of recaps of Game of Thrones season finale readily available online (see this fine one from NPR for starters). I feel no compulsion to add to the already abundant list. But there was something that stuck out to me that is worth a little reflection. It’s something that has characterized the entirety of the series but of late, for me at least, has become more pronounced. The genre of Game of Thrones is of course fantasy, and like most fantasy stories it’s set in a premodern world. The technology, culture, and religion all seem pre-modern through…

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Another Week Ends: Humane Prisons, Stranger Things 2, U.F.O.s, Venmo FOMO, Heretical Statistics, and Always Being Wrong

Another Week Ends: Humane Prisons, Stranger Things 2, U.F.O.s, Venmo FOMO, Heretical Statistics, and Always Being Wrong

1. Another week, another opportunity to get jealous of Norway. In Mother Jones’ July/August Issue, Dashka Slater reports that North Dakota is experimenting with Norway’s “humane” prison system (which has been mentioned on our site before, here and here. Also, don’t forget the interview Ethan did with Norwegian prison warden Arne Nilsen for The Forgiveness Issue. Amazing stuff.)

Needless to say, humane prison procedures are beautiful examples of grace in practice and “left-handed power,” which Robert Farrar Capon defines as “precisely paradoxical power: power that looks for all the world like weakness, intervention that seems indistinguishable from nonintervention” (Kingdom, Grace, Judgment).

In North Dakota, “left-handed power” seems…

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Riding Bikes with the Mitford Sisters, Six Feet Under.

Riding Bikes with the Mitford Sisters, Six Feet Under.

The training wheels came off at the cemetery.

That sounds incredibly macabre,  like a snippet from an Edward Gorey book, but the reality is much more prosaic. With the cemetery a couple houses down from where I grew up on a busy state route, it was the safest place to learn to ride.

My great-grandfather, grandfather, most of my great-uncles, as well as my father and his siblings all helped take care of the cemetery at some point in their lives. One of my first summer jobs was helping my great uncle mow around the gravestones. The cemetery wasn’t a scary place to…

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Love of Children and Fear of the World

Love of Children and Fear of the World

Stephen Marche’s The Unmade Bed is the book I cannot stop recommending. He talks about the state of modern marriage with unflinching clarity. And in a bold literary move, his wife provides footnotes. It is like being at a dinner party with the funny, poignant couple who occasionally correct one another’s stories.

From a theological perspective, the book serves as the perfect, secular counterbalance to Robert Farrar Capon’s Bed and Board. In Capon’s era, it was women who made the bed, but in Marche’s modern take we learn that bed-making is an activity we all long to avoid. Seriously,…

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Wendell Berry's World-Ending Fire of Original Sin

Wendell Berry’s World-Ending Fire of Original Sin

A few days ago, I happened across the round-table discussion with Wendell Berry, Paul Kingsnorth (author of the forthcoming Confessions of a Recovering Environmentalist), and economist Kate Raworth on BBC Radio 4’s Start the Week hosted by Andrew Marr. The conversation, from this past May, centered around problems associated with the environmental movement, particularly issues of idealism without responsibility.

Wendell Berry, an avid environmentalist himself, is not opposed to stirring the pot. He just released a book of essays optimistically titled The World-Ending Fire and is the subject of a documentary produced by Nick Offerman — yep, that Nick Offerman — called Look and…

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Pizza for Five Thousand

Pizza for Five Thousand

The following excerpt comes from our latest publication, The Man Who Met God in a Bar: The Gospel According to Marvin, by Robert Farrar Capon. As you’ll see, Father Capon has a knack for stirring up fresh ways to think about old, familiar stories.

Below, our narrator Marvin chronicles the spiritual revival led by Jerry, a short-order cook in 1990s Cleveland…who also claims to be God. This scene takes place in Chapter Eight, after Jerry has preached all day from a park bench.

By 3:30, when Jerry’s voice finally gave out, there had to be about five thousand people in the park. And since after that he just started talking to individuals…

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Fluorescent Lighting and Vampire Haberdashery: Some Thoughts on Scapegoating and Parables

Fluorescent Lighting and Vampire Haberdashery: Some Thoughts on Scapegoating and Parables

For me, writing about grace is like undressing in a cold changing room, with floor-to-ceiling mirrors and flickering fluorescent lighting: self-flattery is an impossibility. Don’t worry, there is more nudity on the way.

When you can no longer unsee your own low anthropology, writing about internal work feels exposing. Feelings aren’t always reality, though, and the “me too” connection that writing can bring makes it worth the, uh, exposure.

Speaking of “me too” moments — meaning I have already done this — you know those times after you stub your toe and, instead of saying “ouch,” you yell at your dog, who did nothing wrong? Sometimes,…

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