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Posts tagged "film"

The Top Ten Films of 2017

The Top Ten Films of 2017

2017 was a great year in film. For more, check out our abbreviated wrap-up (Seven Films from 2017).

As the year comes to a close, let’s limp across the finish line together while reminiscing about the best that 2017 had to offer up to the silver screen! It was another big year for reboots and sequels. We were gifted additional installments in the Star Wars, Blade Runner, The Planet of the Apes and Fast and Furious franchises. Marvel continued to appease the masses’ appetites for men in tights, landing four films on the year’s top 15 highest grossing films list. Independent,…

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"Mockingbird Turns 10" Interviews: David Zahl

“Mockingbird Turns 10” Interviews: David Zahl

This is the first installment in a series of monthly-ish interviews between myself and various Mockingbird writers and members of the Mockingbird community. These posts will explore some aspects of each individual’s personal story and some aspects of Mockingbird’s larger story and ministry as we celebrate its 10th Anniversary.

Charlotte Donlon: What has surprised you most about Mockingbird since it was started ten years ago?

David Zahl: Well. I’m a little surprised it’s still here. When we started, our vision was (purposefully) rather vague. We had our theological convictions in mind, and a good deal of sincerity/energy, but we didn’t know how the…

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The Dirty Deacon's Top 10 Horror Films of 2016

The Dirty Deacon’s Top 10 Horror Films of 2016

Disclaimer: Pinning down actual years on films is a tricky endeavor. Some films travel film festival circuits and have limited theater releases well before they’re actually “out”. However, my list below contains the top 10 horror films that had a wide release in 2016, whether it was in theaters or through video-on-demand services. So while films like The Love Witch might have been seen by some in the more metropolitan areas, I do not include them here, because if I can’t get my paws on it somehow in the Panhandle of Texas, then it’s not wide enough.

That being said, I saw 53 horror films that…

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The Top Ten Films of 2016

The Top Ten Films of 2016

Listen, 2016 has been…difficult. From political turmoil to national racial unrest, and the deaths of many beloved pop-icons such as Bowie, Prince, and, most recently, one of the more daring heroines the cine-verse has ever known, Carrie Fisher. But, as Sarah Condon so gracefully pointed out, 2016 wasn’t the worst year ever. As both the enthusiastic cinephile and the average moviegoer can attest, 2016 provided an admirable follow-up to an excellent year of film in 2015. Listed below are the ten best films that I saw in 2016. With a variety of genres and production levels represented, there is truly something for everyone! I hope you enjoy,…

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Mockingbird at the Movies: Intro (and Final Edition)

Mockingbird at the Movies: Intro (and Final Edition)

As this year’s Oscar buzz revs up, be sure to take a look at our latest publication, Mockingbird at the Movies, an anthology of film essays collected from many of Mockingbird’s contributing writers. Last week, we quietly released the fully-polished final edition, which consists of a few less typos but all of the same thought-provoking, Gospel-centered content. See the full Table of Contents here, order a copy here, and read the intro, by editor CJ Green, below. Oh and if you feel inspired to post a review on Amazon, by all means.

It was an ill-defined notion but there nevertheless—my vague childhood idea that ‘Hollywood’ had it…

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Ethan Hawke on Acting Out the Death of Self

Ethan Hawke on Acting Out the Death of Self

The tenable success of independent films in an industry dominated by major Hollywood productions has become a hot topic as the 87th Academy Awards make their approach. The pulse of this conversation exists entirely because of two names: Wes Anderson and Richard Linklater. With six Oscar nominations between the two of them just this year, and eleven all time, Anderson and Linklater have become the godfathers of the indie family, maturing the clan into planet Hollywood’s lunar necessity.

The praise is proper, but not necessarily sought; at least not in the same way that, say, George Lucas sought success after 1977. Setting up…

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Mining Netflix:  Hook, And a (Final) Farewell to Robin Williams

Mining Netflix: Hook, And a (Final) Farewell to Robin Williams

As suggested in previous articles, I’d encourage you to pull up the film’s soundtrack on Spotify and listen while you read. Listen especially to the song entitled Remembering Childhood. It’s okay to cry.

There is a temptation, encased in sincere sentiment, to claim the work of Robin Williams for the sake of my generation. The kid film portfolio of the 1990’s, a ray of sunshine in film history that Williams often basked in, mentored me, and taught me that it was not only possible but probable for comedy and drama and pain and suffering to gracefully coexist (I wrote about this…

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Another Week Ends: Underconfidence, Kate Middleton's Picnics, Unreported Medical Advice, D.H. Lawrence's Christian Wonder, the Double-Bind of Summer Movies, More Christian Wiman, and (Way) Too Much Sociology

Another Week Ends: Underconfidence, Kate Middleton’s Picnics, Unreported Medical Advice, D.H. Lawrence’s Christian Wonder, the Double-Bind of Summer Movies, More Christian Wiman, and (Way) Too Much Sociology

1. How confident are you? Over at The New York Times, David Brooks surveyed his readers to get a sense for self-confidence, lack thereof, and the ways males and females experience confidence differently. While the word itself is a bit vague and murky, and Brooks found few trends in the survey data, the individual responses are definitely worth a look:

But it was really hard to see consistent correlations and trends. The essays were highly idiosyncratic, and I don’t want to impose a false order on them that isn’t there. Let me just string together some of the interesting points…

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Catching Fire: Breaking the Closed Circle of the Modern Bestseller

Catching Fire: Breaking the Closed Circle of the Modern Bestseller

A brief recap: in The Hunger Games piece, we examined a two-level voyeuristic scaffolding built by Suzanne Collins as the book meditates on our attraction to violence and suffering. The Gamemakers create a brutal world into which teenagers are plunged to fight to the death for the amusement of thousands in the fictional dystopia of Panem and, simultaneously, Collins herself is constructing that world as the author for the amusement of, by now, over a million contemporary readers. In our indignation against the Gamemakers for the horrors they perpetrate, we are ultimately drawn into a split between our own enjoyment…

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