Three Quick Observations about “Castello Cavalcanti”

What a gift! Prada, of all places, released a beautiful (and gently cruciform) new short […]

David Zahl / 11.21.13

What a gift! Prada, of all places, released a beautiful (and gently cruciform) new short film from Wes Anderson a few days ago, ht RW:

Can’t resist making three quick observations: 1. Notice who/what Schwartzman crashes into (and the posture of said person/object). 2. As we never tire of saying in reference to this, what looks like a disaster here turns out to be something else. Control lost–literally–serves as prelude to receiving. Along those lines, 3. The moment Schwartzman’s drink gets comped, aka the moment he’s shown a little kindness/grace by the people whose public square he’s just ruined, he decides to stick around. Of course, Wes seems characteristically more interested in the (amazing) scenery than the narrative, but even if these elements are purely, er, accidental, that just makes them all the more meta. Ciao!

subscribe to the Mockingbird newsletter

COMMENTS


One response to “Three Quick Observations about “Castello Cavalcanti””

  1. Rebecca W says:

    Point #2 I love. It is the supreme lesson of my life. Daily.
    Thanks!

Leave a Reply

Your email address will not be published. Required fields are marked *